EVELYN XINYI HU 胡心依


Evelyn Xinyi Hu(b.2002), she is an artist working across China, the UK, and South Korea. She consistently employs walking as a methodological approach for interdisciplinary research and artistic practice. Integrating painting, installation, moving image, and site-specific inquiry, her work delves into charged sites such as war remnants and natural-cultural heritage landscapes, uncovering the layered histories beneath contemporary appearances of peace.

Currently, her practice focuses on the Thames River and the lingering energies and perceptual traces of past wars embedded in present-day landscapes. Through techniques such as counter-mapping, she seeks to deconstruct anthropocentric historical narratives and transform personal reflections into responses to broader systemic conditions.

胡心依作为艺术家创作于中国、英国、韩国。她始终以“步行”为方法论进行跨学科研究和创作,她结合绘画、装置、影像与在地性研究,深入战争遗骸、自然文化遗产等特殊地点,挖掘现今和平表象之下的复杂历史。

目前她特别关注泰晤士河与既往战争在当下地景中所留存的能量与感知痕迹,使用“反制图” 等方式尝试剖析“人类中心化”的历史,将个人反思成果转化为对更大系统的回应。


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A Walk in Macao: “Pilgrimage Path”
澳门的一次步行:“朝圣之路”


Film photography
2024

Macao, China
This walking-based artistic practice took place on the Macau Peninsula, where I intervened in the urban landscape through walking. By observing the “Doorway Earth Gods” — a local religious tradition — I developed a series of analog photographs. The act of walking became a means to reflect on the relationship between belief and the human presence within the city. 


这是一项以步行为基础的艺术实践,发生在澳门本岛。我通过行走介入城市地景,并观察当地宗教传统中常见的“门口土地神”现象,拍摄了一系列胶片摄影作品。步行的过程成为我反思信仰与人类在城市中存在关系的一种方式。